Rublev Colours Oil Paints are different from all other commercial oil colors. We use natural and historical pigments like those used by the old masters and we make them as they did before modern oil colors — without additives.

Oil paints are among the simplest paints, yet they have exceedingly complex drying properties. Oil paints consist of a binder—a drying vegetable oil—and pigment. Pigments are solid colorants suspended in vegetable oil—commonly linseed oil. Vegetable oil gives oil paint its slow-drying properties, which are highly prized by artists even today. Commercial oil paints may contain other ingredients, such as extender pigments, pigment stabilizers, and driers.

The main advantages of oil paints are their flexibility, slow drying, and colorfulness. They can be applied in many ways, from thin glazes to dense, thick impasto. Because it is slow drying, artists can continue working with the paint for much longer than other types. Oil paint films offer higher color saturation when compared to waterborne paints.

The most common surface for oil paint, which has been used for centuries, is stretched primed canvas. Stretched canvas, also known as flexible supports, is susceptible to tears and sagging and becomes brittle. Modern alternatives include plywood panels, medium-density fiberboard (MDF), and hardboard. The disadvantage of rigid wood supports is that they warp and crack. Aluminum composite material or ACM panels offer one of the best choices for today’s artists. Lightweight and strong, they do not warp, crack, tear or sag.

The biggest cost of paint is pigment. Pigments make up a large volume of artists’ oil paint and also the highest cost of all the materials used to make paint. The cost of pigments ranges from tens to hundreds of dollars per kilogram. Rare historical pigments can even cost thousands of dollars per kilogram. So, it is no surprise that artists’ paints are expensive.

Obviously, you'll need oil paint. You will also nerf a set of round and flat brushes. Imitation Mongoose brushes are excellent for all-around painting. Contrary to what most believe, you do not need turpentine or another solvent to clean brushes. A brush washer filled with vegetable oil will clean brushes. Next, you will need refined linseed oil, and a bodied linseed oil. A palette knife and palette are indispensable for mixing colors. Rags or paper towels are a must. Finally, but most important, is a painting support, such as Artefex ACM panels.

Rublev Colours paints are meticulously crafted in small batches in Northern California, ensuring each pigment and oil blend meets high standards of quality and authenticity.

The best oil paint depends on the artist's preference and style. Professional artists often prefer high-quality paints like Rublev Colours for their extensive line of traditional and natural pigments and durability.

Historically, Lapis Lazuli was one of the most expensive pigments used to create a vivid blue. Today, some of the rare pigments can be quite costly due to their rarity and complex production processes, such as Azurite, Cinnabar, and Vermilion.

While subjective, many artists consider Rublev Colours Artist Oils to be a top brand for professional artists. Artist Sophie Ploeg wrote in her blog: "Rublev oils are a unique paint in that they set out to only use historic pigments and provide us with the paints of the old masters. A noble aim perhaps. These paints are professional premium paints and definitely not for all. But for some they are the the best of the best." To learn more visit her blog.

Brands like Winsor & Newton have a long history, dating back to the 19th century. However, the concept of branded oil paint is relatively modern compared to the history of oil painting itself.

Professional artists often use high-quality paints like Rublev Colours, among others, known for their high-quality pigments, consistency, and longevity.

Not all blue oil paint is expensive. However, blue pigments, like Ultramarine made from Lapis Lazuli, are expensive due to the cost of sourcing natural materials and the complex process of turning them into pigment.