Italian Varnish sets quickly, while providing translucency and body to oil colors when mixed with them in glazes. It gives a somewhat fluffy consistency to paint, making possible many different ways of using this subtle technique.
According to the German Chemical Prohibition Ordinance, this item can only be sold to professional users, resellers, or research institutions. Please fill out the form Chemical Prohibition Ordinance and return it to Natural Pigments by email, together with any documents that may be required. We will process your order as soon as we have received the documents.
Download the form here: German Chemical Prohibition Ordinance
Italian Varnish is not a picture varnish but rather a gel oil painting medium. Italian Varnish was first mentioned by Jean-François-Léonor Mérimée in his 1839 book, The art of painting in oil and in fresco, as a “strong oil prepared in Italy from a very remote period, and which possesses the double-advantage of drying well, and preventing the flowing about of the most liquid glazing.” Italian Varnish is made using linseed oil, litharge (lead monoxide), wax, and a small amount of gum turpentine, ground as fine as possible. We have made it with some improvements to the method and materials given in the recipe by Mérimée. It is an amber gel medium that performs similarly to Maroger medium, except instead of mastic, this medium incorporates wax, which is ideal for those artists who prefer a thicker painting consistency and faster drying time.
Italian Varnish sets quickly while providing translucency and body to oil colors when mixed with them in glazes. It gives paint a somewhat fluffy consistency, making it possible to use its subtle properties in many ways. In addition to the soft sheen of the medium, the artist now also has the means of more rapid execution. Artists can mix the Italian Varnish into light pigments (Lead White, Lead-Tin Yellow, Naples Yellow, Yellow Ocher, etc.) to give these colors more body and a thicker consistency. It can help to build up the lights and adds translucency and impasto for the brightest passages of a painting.
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California Proposition 65: This product contains a chemical known to the State of California to cause cancer and birth defects or other reproductive harm.
Signal Word: Danger
H302 Harmful if swallowed.
H332 Harmful if inhaled.
H360 May damage fertility or the unborn child.
H373 May cause damage to organs through prolonged or repeated exposure.
H410 Very toxic to aquatic life with long lasting effects.
P260 Do not breathe dust/fume/gas/mist/vapours/spray.
P261 Avoid breathing dust/ fume/ gas/ mist/ vapors/ spray.
P280 Wear protective gloves/ clothing/ eye/ face protection.
P281 Use personal protective equipment as required.
P405 Store locked up.
P501 Dispose of contents/ container according to regional, national and international regulations.
CONTAINS LEAD / CONTIENT DU PLOMB
DO NOT APPLY TO SURFACES ACCESSIBLE TO CHILDREN OR PREGNANT WOMEN.
NE PAS APPLIQUER SUR UNE SURFACE ACCESSIBLE AUX ENFANTS OU AUX FEMMES ENCEINTES.
Must be used exclusively as material for the purposes of arts, crafts or hobbies, not for use by children. Utiliser uniquement aux fins suivantes comme matériaux pour les besoins d'art, d'artisanat ou passe-temps, pas pour une utilisation par les enfants.