Ultramarine Ash Pigment
The residuum of lapis lazuli after the ultramarine has been extracted. It was used by the old masters as a middle or neutral tint for flesh, skies, and draperies, being of a purer and tenderer gray than that produced by the mixture of more positive colors.
Ultramarine Ash is a pigment, lapis lazuli residuum after the ultramarine has been extracted. The old masters used it as a middle or neutral tint for the flesh, skies, and draperies, being of a purer and tenderer gray than that produced by the mixture of more positive colors.
The mineral lazurite is a complex sodium calcium aluminum silicate sulfate, in which the part of the silicon atoms (S.I.) are substituted for sulfur atoms (S) in the form of sulfur anions. The rich blue color is due to the sulfur in the structure of lazurite. It is usually described as an intense blue to a gray-blue. The greater the sulfur anions, the more intense the blue color of lazurite. In its vivid dark blue variety, sulfur content reaches 0.7%. Lazurite, an amply soft and brittle mineral, is easily processed as a pigment. It is a popular but expensive mineral commonly found combined with other minerals in a rock called lapis lazuli. Lapis lazuli, or lapis for short, is mostly lazurite but commonly contains pyrite, calcite, and other minerals. Lazurite means "blue rock" and is always a brilliant blue with violet or greenish tints. Tiny pyrite crystals (FeS2) are always present in lapis, and their golden yellow color distinguishes lapis from a similar mineral, sodalite, and the synthetic pigment, ultramarine. The golden impregnations of pyrite create the impression of stars in a dark blue sky. Calcite produces white streaks in lapis, and too much calcite lowers the value of the mineral pigment. The carbonate mineral azurite has a very similar color to lazurite but is associated with the green mineral malachite.
|Common Names (rock):
|English: lapis lazuli
|Common Names (mineral):
|Common Names (pigment):
|English: ultramarine (natural)
French: outremer (lapis)
German: ultramarin (lapis)
Italian: ultramarino (geuino)
Spanish: ultramarino (lapis)
|lapis lazuli blau, lasurstein blau, bleu d'azur
|Pigment Blue 29 (77007) (for synthetic ultramarine)
|Sodium Calcium Aluminum Silicate Sulfate
|(Na, Ca)8Al6Si6O24(S, SO4)
|Particle Size (mean):
|25 grams oil / 100 grams pigment
|Health and Safety
|No acute or known chronic health hazards are associated with this product's anticipated use (most chemicals are not thoroughly tested for chronic toxicity). Always protect yourself against potentially unknown chronic hazards of this and other chemical products by keeping them out of your body. Do this by avoiding ingestion, excessive skin contact, and inhalation of spraying mists, sanding dust, and vapors from heating. Conforms to ASTM D-4236.
For a detailed explanation of the terms in the table above, please visit Composition and Permanence.
Origin and History of Use
Lazurite is a historical pigment found in Egyptian tomb paintings as early as the Fourth Dynasty (sixth century B.C.). The statue of pharaoh Tutmos III was covered with lazurite, known to the ancient Egyptians as the "sky stone." Raphael, Leonardo da Vinci, and Michelangelo Buonarotti used the pigment. The two large (five meters high) central columns of the iconostasis of Isaacs Cathedral in St. Petersburg were made in 1854 from Badakhshan lazurite, purchased by Russian empress Ekaterina II at the price of a pound of silver for a pound of stone.
Lapis lazuli has been mined for centuries from a location still in use in the mountain valley of Kokcha, Afghanistan. First mined 6,000 years ago, the rock was transported to Egypt and later to Europe, where it was used in jewelry and paint pigment. Europeans called the expensive powdered pigment ultramarine, which means over the sea. Since the 19th century, ultramarine has been manufactured artificially. Although now not the only source of lazurite, the mine in Afghanistan still produces the finest quality material. Lazurite is found only at high altitudes, especially in deposits of tall mountain ranges. For example, in 1931, it was found in the Pamirs Mountains at 5,000 meters. In these mines, enormous chunks of dolomite marble hold fast to small accumulations of lazurite. To protect mines from looting, in past centuries, an unauthorized approach was penalized by capital punishment, and miners themselves were secured to the walls of mine shafts by chains. Lazurite was considered a sacred stone, and the emir himself had the right to manage its production. In Russia during the 18th and 19th centuries, lazurite was highly valued for many objects of applied arts. A new epoch in the use of lazurite began with the discovery in 1851 of a large deposit near Lake Baikal, after which Russian workshops achieved a high degree of craftsmanship in the manufacture of large art objects (columns, vases, etc.).
Lazurite is currently extracted from two regions of the former Soviet Union: the Malobystrinskoye deposit in the south Baikal region and the Lyadzhvardarinskoye deposit in the southwestern Pamirs Mountains. The first layer is processed as an open pit and the second through underground mining galleries. Lazurite from these deposits provides faultless specimens for jewelry, and the remaining accumulations, unevenly distributed in dolomite marble, are used to produce mosaics and high-quality paint pigment. Other significant deposits of lazurite are found at Ovalle, Cordillera, Chile; Mt. Vesuvius, Italy; Cascade Canyon, San Bernardino Mountains and Ontario Peak, California and in the Sawatch Mountains, Colorado, U.S.A.
We buy select pieces of lapis lazuli stone from one of Afghanistan's oldest lazurite mines in the world. For over 4,000 years, lazurite has been extracted at Shar Shaikh in Badakhshan, Afghanistan, where we obtain our mineral.
Permanence and Compatibility
Lazurite is resistant to atmospheric gases, is lightfast, and possesses good hiding power. It is durable with all other permanent pigments. It is suitable for all techniques.
Oil Absorption and Grinding
Lazurite absorbs moderate oil during dispersion and forms a good flexible film. To prepare pigment from lazurite, pieces of small size, as accessible as possible from pyrites and other impurities, are heated in a crucible and quenched (étonné). This material is then finely ground, levigated, and washed. Cennini describes a method to purify the pigment even further to obtain the highest quality grades of pigment. The finely washed pigment is mixed with a bit of wax, rosin, and linseed oil in the form of a dough. This is kneaded in a weak solution of soda lye. The finest particles of color are withdrawn by the alkaline water and settle out when left standing. The dough retains the impurities. This process is repeated, and the consecutive extracts from the same dough become grayer in color. The first extraction is the purest and deepest blue color, and the last extraction is blue-gray. We will soon offer grades of lazurite hand processed with this ancient formula.
Lazurite is not considered toxic, but care should be used in handling the dry powder pigment so as not to inhale the dust.
For more information on handling pigments, please visit How to Handle Art Materials and Pigments Safely.
|Usually ships the next business day.
|Inorganic, Historical, Natural