The Role of Pigment Particle Size in Artistic Paints: A Comprehensive Review

Pigment particle size is a fundamental factor that influences the performance and quality of paints used by artists. The size of these particles affects not only the aesthetic properties of the paint, such as opacity and gloss but also its long-term durability and resistance to weathering. Understanding the science behind pigment particle size enables artists to make more informed choices when selecting materials, thus allowing for greater control over their work. This article reviews key scientific findings and breaks down how different particle sizes affect critical paint properties, drawing from research in the field.

How Pigment Particle Size Influences Tinting Strength

Tinting strength refers to the ability of a pigment to alter the color of a paint when mixed with other pigments. According to the Kubelka-Munk theory of light scattering in turbid mediums, smaller pigment particles exhibit greater tinting strength due to their larger surface area, which allows more interaction with light​​. In essence, the more surface area available for light to scatter, the stronger the pigment's influence on the final color of the paint.

This phenomenon is particularly relevant in cases where subtle color mixing is required. Finer particles can significantly alter the hue of a paint mixture, making them ideal for detailed work or when achieving specific tones is critical. However, artists should also be aware that smaller particles may offer more control over tinting, as discussed in the following sections, they can also influence other aspects of paint behavior.

Particle size and wavelength

To achieve the highest scattering power, the pigment particle size should be less than one micron (above), if not below 0.5 micron. Notice, however, the scattering power of titanium dioxide as a function of particle size and wavelength shows that the smaller the particle, the greater the blue wavelength, giving it a bluish undertone.

Gloss and Film Appearance: Achieving Smoothness

Gloss in paint refers to the shiny, reflective finish that results from smooth surfaces. Smaller pigment particles play a vital role in achieving a glossy appearance because they enable the formation of smoother paint films. When particles are fine, they pack together more tightly and uniformly on the surface of the painted area, reducing irregularities that scatter light. As a result, light reflects more uniformly, creating what is known as specular reflection—a key factor in producing a high-gloss finish.

For artists seeking to create glossy surfaces, such as those often found in contemporary art or works requiring vibrant, shiny finishes, selecting paints with finer pigments is crucial. Coarser particles, on the other hand, tend to produce a matte effect, as the uneven surface scatters light in multiple directions, reducing overall reflection.

Weather Resistance and Lightfastness: The Downside of Small Particles

While smaller pigment particles offer several advantages in terms of color strength and gloss, they come with a trade-off in weather resistance and lightfastness. These two properties are critical for artists working on outdoor murals or pieces exposed to sunlight and environmental conditions over extended periods.

Small particles have a much larger surface area relative to their volume, which increases their exposure to environmental factors such as UV light, moisture, and pollutants. This increased interaction between each particle and the surrounding environment can lead to quicker degradation of the pigment. In practice, this means that paints with fine particles may fade or degrade more rapidly when exposed to light or harsh weather conditions.

Therefore, while smaller particles may be desirable for certain aesthetic qualities, they can lead to a reduction in the longevity of the artwork. Artists should consider this trade-off when selecting materials, especially for works that are intended to be displayed outdoors or in sunlight.

Pigment partiles and tinting strenght

The effect of particle size on the tinting strength and undertone is perhaps best shown for titanium dioxide (above). As the particle size decreases, the tinting strength improves. However, the undertone also changes, with a move towards a bluish undertone being observed due to the increased scattering efficiency observed at the blue end of the spectrum for fine particles (as predicted by Weber’s formula). A trade-off exists between high tinting strength and an acceptable hue. 

Opacity and Hiding Power: Covering the Surface

Opacity, also known as hiding power, refers to a pigment's ability to cover the underlying surface, preventing the background from showing through. As with other optical properties, smaller pigment particles enhance opacity because they scatter light more effectively. When light enters the paint film, the finely ground particles cause it to reflect more, preventing it from reaching the substrate and thus improving the paint’s coverage.

This is a significant advantage for artists working with transparent or semi-transparent surfaces where complete coverage is necessary. Using paints with finer pigment particles can result in fewer layers required to achieve the desired level of opacity, which is both time-saving and cost-effective.

Pigment Particle Size and Your Artwork

Understanding how pigment particle size influences the properties of paint is essential for any professional artist seeking to optimize their materials. Small particles enhance tinting strength and gloss, making them ideal for vibrant, shiny finishes and color mixing. However, the trade-off is reduced lightfastness and weather resistance due to the increased surface area that interacts with the environment. Balancing these factors is vital for artists to produce high-quality, long-lasting work.

When selecting paints, considering the size of pigment particles can help improve control over artistic effects, from the strength of color to the surface appearance and the durability of the finished piece.


Bibliography

Dunn, E. J., Kushner, M., & Baier, C. H. (1941). Effect of Particle Size and Shape on Paint Consistency. Industrial & Engineering Chemistry, 33(9), 1157-1163. National Lead Company. Retrieved from https://pubs.acs.org/doi/10.1021/ie50382a029.

Pigment Particle Size and Hiding Power. (2012). HORIBA Instruments, AN209. Retrieved from https://www.horiba.com/fileadmin/uploads/Scientific/Documents/Particle_Characterization/AN209_Pigment_Size.pdf.

Gueli, A. M., Bonfiglio, G., Pasquale, S., & Troja, S. O. (2016). Effect of Particle Size on Pigments Colour. Color Research and Application. Wiley Online Library. DOI: 10.1002/col.22062.

Why Particle Sizing? (2005). Paint & Coatings Industry Magazine. Malvern Instruments Ltd., Worcestershire, UK.

Salman, M. (2024). Effect of Particle Size Distribution on Performance of Color Dispersions in Paints Industry. University of Engineering and Technology, Lahore. DOI: 10.13140/RG.2.2.23975.56487. Retrieved from https://www.researchgate.net/publication/379039071_Effect_of_Particle_Size_Distribution_on_Performance_of_Color_Dispersions_in_Paints_Industry.


Summary of the Influence of Pigment Particle Size on Paint Properties

Coarse Pigments (75–100 µm)

Tinting Strength: Coarse pigments are characterized by reduced tinting strength due to their limited surface area relative to finer particles. The inefficient light scattering of coarse pigments necessitates higher pigment loading to achieve comparable color strength, making them less effective for tinting high-gloss or transparent finishes.

Opacity: While traditionally considered opaque, coarse pigments can be less efficient at scattering light compared to smaller particles. The larger particle size provides fewer surfaces to interact with light, leading to a less effective blocking of light. As a result, finer particles often achieve greater opacity at lower concentrations.

Lightfastness: Coarse pigments tend to exhibit better lightfastness, as their lower surface area reduces their exposure to light and chemical interactions. The reduced interactivity of larger particles generally enhances chemical resistance and weathering performance, contributing to more stable color retention in outdoor applications.

Gloss and Film Appearance: Coarse pigments create a rough paint film, reducing gloss and resulting in a matte to semi-matte finish. The larger particle size introduces surface irregularities that scatter light, making them suitable for traditional oil painting, decorative finishes, and industrial coatings where some texture is desired.

Medium Pigments (45–75 µm)

Tinting Strength: Medium-sized pigments have moderate tinting strength, with slightly improved light scattering compared to coarse particles. The increased surface area relative to coarser particles allows for better dispersion in the binder, resulting in more vibrant colors with less pigment loading.

Opacity: Medium-sized pigments provide better opacity than coarse pigments due to more efficient light scattering. The greater surface area of these particles allows for more effective blocking of light, leading to improved coverage and hiding power in paint films.

Lightfastness: Medium pigments benefit from good lightfastness, as their surface area is still relatively limited compared to finer particles. This reduces the extent of light and chemical interaction, promoting longer color retention and resistance to UV-induced degradation.

Gloss and Film Appearance: Medium-sized pigments offer a balance between texture and smoothness. Paints with these pigments exhibit a low to moderate gloss finish, as the particles create a moderately rough surface that scatters light to some extent. These pigments are versatile, being suitable for a wide range of traditional and modern paint applications.

Fine and Extra-Fine Pigments (10–45 µm)

Tinting Strength: Fine pigments demonstrate higher tinting strength, as their increased surface area enhances interaction with the medium and improves light scattering. This results in stronger, more saturated colors with less pigment required, making fine pigments more efficient for tinting applications.

Opacity: Fine pigments achieve greater opacity than larger particles, as their enhanced surface area allows for more effective light scattering. This property enables better hiding power, even in thinner paint films, making fine pigments ideal for applications requiring a balance between opacity and smoothness.

Lightfastness: Fine pigments generally exhibit improved lightfastness compared to larger particles. The increased surface area, while allowing more light interaction, is still balanced by the finer distribution within the paint film, which helps maintain color stability and chemical resistance over time.

Gloss and Film Appearance: Fine pigments contribute to smoother paint films with increased gloss compared to coarser classifications. The smaller particle size reduces surface roughness, allowing for better light reflection and higher gloss levels, making these pigments suitable for fine art techniques and semi-gloss finishes.

Ultra-Fine Pigments (1–10 µm)

Tinting Strength: Ultra-fine pigments exhibit the highest tinting strength, as their extremely high surface area maximizes interaction with the binder and enhances light scattering. This leads to intense, saturated colors even with very small quantities of pigment, making ultra-fine particles highly efficient for producing transparent, vivid layers.

Opacity: Despite their smaller size, ultra-fine pigments can achieve superior opacity due to their enhanced light scattering capabilities. The increased surface area enables better coverage with less pigment, offering both strong opacity and the potential for highly transparent effects depending on the application.

Lightfastness: Ultra-fine pigments generally show the best lightfastness among all classifications. The minimal particle size reduces the potential for localized chemical reactions, enhancing resistance to UV exposure, chemical interactions, and weathering. The smaller overall surface area of well-dispersed particles reduces degradation, promoting longer-lasting color and durability.

Gloss and Film Appearance: Ultra-fine pigments create a highly smooth, glossy paint film. Their small size allows for high packing density within the paint matrix, resulting in minimal surface texture and maximizing light reflection. They are ideal for high-gloss finishes, automotive coatings, and photorealistic art.


Pigment Particle Size Classifications 

Very Coarse Pigments

  • Micrometer (µm) Range: >75 µm
  • U.S. Standard Sieve Size: Retained on No. 200 (75 µm mesh)
  • Descriptive Term: Extremely Coarse
  • Visual Reference: Comparable to coarse sand or rock salt grains

Description: Very coarse pigments include some of the largest particles commonly found in historical paintings. Pigments such as malachite, azurite, and smalt often fell into this range, contributing to a rough, matte texture.

Applications: These pigments are ideal for replicating historical paintings or achieving pronounced texture in modern art. They create rough surfaces with low gloss, enhanced opacity, and reduced tinting strength. As particle sizes exceed 100 µm, they are less likely to adhere to substrates and remain bound in paint films. 

Optical Properties: These pigments scatter light less efficiently, producing a granular, matte appearance that is highly visible in paint films.


Coarse Pigments

  • Micrometer (µm) Range: 45–75 µm
  • U.S. Standard Sieve Size: Retained on No. 325 (45 µm mesh)
  • Descriptive Term: Coarse
  • Visual Reference: Comparable to granulated sugar

Description: Coarse pigments are typical of both historical and some modern paint formulations. Examples include lead white, vermilion, and coarser mineral-based pigments.

Applications: These pigments are suitable for fine art requiring moderate texture. They contribute to textured paint films, making them useful in frescoes, tempera, and traditional oil painting.

Optical Properties: Coarse particles offer good opacity but moderate light scattering, resulting in a semi-matte finish with relatively low tinting strength.


Medium Pigments

  • Micrometer (µm) Range: 20–45 µm
  • U.S. Standard Sieve Size: Retained on No. 635 (20 µm mesh)
  • Descriptive Term: Moderately Fine
  • Visual Reference: Comparable to beach sand or fine table salt

Description: Medium-sized pigments represent a balance between texture and smoothness. This range is common in both historical and modern formulations, found in pigments such as ochres, iron oxides, and earth pigments.

Applications: These pigments are versatile for a wide range of uses, including oil painting, tempera, and mid-sheen decorative coatings. They achieve a combination of opacity, texture, and moderate gloss.

Optical Properties: Medium-sized pigments scatter light more effectively than coarser particles, offering better opacity, moderate gloss, and enhanced tinting strength.


Fine Pigments

  • Micrometer (µm) Range: 10–20 µm
  • U.S. Standard Sieve Size: Passing through No. 635 (20 µm mesh)
  • Descriptive Term: Fine
  • Visual Reference: Comparable to flour or powdered sugar

Description: Fine pigments reflect improved milling technology, frequently found in modern paints and historically refined formulations, including cadmium reds and cobalt blues.

Applications: Fine pigments are ideal for creating smoother, higher-gloss paint films. They are commonly used in glazes, high-performance coatings, and detailed fine art techniques.

Optical Properties: Fine pigments have increased surface area, resulting in higher opacity, improved gloss, and higher tinting strength due to more efficient light scattering.


Extra-Fine Pigments

Micrometer (µm) Range: 5–10 µm

U.S. Standard Sieve Size: Below No. 635; not practical for sieving

Descriptive Term: Extra-Fine

Visual Reference: Comparable to baking flour

Description: Extra-fine pigments are associated with modern formulations, representing high milling precision. Examples include phthalocyanines, quinacridones, and other synthetic organics.

Applications: These pigments are suited for automotive coatings, photorealistic art, and transparent glazes, where smoothness, high gloss, and intense color are essential.

Optical Properties: Extra-fine particles provide exceptional light scattering, maximum opacity, tinting strength, and a smooth, even paint film with minimal surface texture.


Ultra-Fine Pigments

Micrometer (µm) Range: <5 µm

U.S. Standard Sieve Size: Not applicable; submicron range

Descriptive Term: Ultra-Fine

Visual Reference: Comparable to cosmetic blush powder or copier toner

Description: Ultra-fine pigments represent the most advanced pigment manufacturing, often found in digital printing, cosmetics, and nano-coatings. This category includes submicron particles with unique optical properties.

Applications: Ideal for inks, glazing, transparent films, and other applications requiring ultimate smoothness, transparency, and precise color rendering.

Optical Properties: Ultra-fine particles achieve the highest tinting strength and transparency for particles in the submicron range, offering superior gloss and a flawless film appearance, making them optimal for high-precision applications.


Common Pigments by Size Classification

Very Coarse Pigments (>75 µm)

Malachite

Colour Index: Pigment Green 39 (PG39)

Description: Malachite, a basic copper carbonate, was commonly used in historical paintings, often ground to a coarse size exceeding 75 µm. It produces a rich, opaque green with pronounced granularity.

Azurite

Colour Index: Pigment Blue 39 (PB30)

Description: Azurite, another copper-based blue pigment, is known for its coarse particles, often ranging from 50–100 µm. It contributes a deep blue hue with distinctive surface texture in historical paintings.

Smalt

Colour Index: Pigment Blue 32 (PB32)

Description: Smalt, a cobalt-based blue glass pigment frequently used in Renaissance art, often exhibits particle sizes exceeding 75 µm, resulting in a rough, matte finish.

Orpiment

Colour Index: Pigment Yellow 39 (PY39)

Description: Orpiment, a yellow arsenic sulfide, was commonly found in coarse form with particles often larger than 75 µm, contributing a distinctive texture and matte surface in historical paintings.


Coarse Pigments (45–75 µm)

Vermilion

Colour Index: Pigment Red 106 (PR106)

Description: Vermilion, a red mercuric sulfide pigment, was often ground to coarse particles in historical usage, creating a bold, opaque red with a slightly rough texture.

Stack Proces Flake White

Colour Index: Pigment white 1 (PW1)

Description: Lead white, a basic lead carbonate, was a staple in historical paintings. It was typically ground coarsely, resulting in opacity and a slightly granular texture in oil paints.

Yellow Ochre

Colour Index: Pigment Yellow 43 (PY43)

Description: Yellow ochre, a natural iron oxide, is often used in coarse form, providing a warm, earthy tone with good opacity and a matte surface finish.

Raw Umber

Colour Index: Pigment Brown 7 (PBr7)

Description: Raw umber, a natural iron oxide-based brown, was frequently ground to coarser sizes, contributing to a strong covering power and distinctive texture in traditional artworks.


Medium Pigments (20–45 µm)

Red Ochre

Colour Index: Pigment Red 102 (PR102)

Description: Red ochre, an iron oxide red, is often found in medium particle sizes, providing good opacity with moderate gloss and a smooth, yet slightly textured finish.

Cerulean Blue

Colour Index: Pigment Blue 35 (PB35)

Description: Cerulean blue, a cobalt-based blue, often has particle sizes in this range, creating a strong, opaque blue with a smooth surface and moderate tinting strength.

Raw Sienna

Colour Index: Pigment Yellow 43 (PY43)
Description: Raw sienna, a natural iron oxide yellow, typically falls into the medium range, offering good opacity, moderate gloss, and excellent durability in paint films.

Mars Black

Colour Index: Pigment Black (PBk11)

Description: Mars black, a synthetic iron oxide black, is often ground to medium particle sizes, resulting in strong opacity, good tinting strength, and a matte to semi-gloss finish.


Fine Pigments (10–20 µm)

Cadmium Red

Colour Index: Pigment Red 108 (PR108)

Description: Cadmium red is commonly milled to fine particle sizes, providing strong opacity, high gloss, and vibrant color intensity in various painting mediums.

Cobalt Blue

Colour Index: Pigment Blue 28 (PB28)

Description: Cobalt blue is often produced with fine particle sizes, achieving high gloss and strong tinting strength, making it suitable for both glazing and opaque applications.

Chrome Oxide Green

Colour Index: Pigment Green 17 (PG17)
Description: Chrome oxide green is frequently found in fine form, contributing to high opacity, good tinting strength, and a semi-gloss to high-gloss finish in paint films.

Ultramarine Blue

Colour Index: Pigment Blue 29 (PB29)

Description: Ultramarine blue is commonly ground to fine particles, providing deep, intense blue tones with good opacity and strong tinting strength, suitable for glazing and detailed brushwork.


Extra-Fine Pigments (5–10 µm)

Phthalocyanine Blue

Colour Index: Pigment Blue 15 (PB15)

Description: Phthalocyanine blue is typically milled to extra-fine particle sizes, resulting in exceptional tinting strength, high transparency, and strong color saturation.

Phthalocyanine Green

Colour Index: Pigment Green 7 (PG7)

Description: Phthalocyanine green, another synthetic pigment, is often found in extra-fine form, providing strong tinting power, excellent transparency, and smooth, glossy films.

Quinacridone Magenta

Colour Index: Pigment Red 122 (PR122)

Description: Quinacridone magenta is a high-performance organic pigment with extra-fine particle sizes, offering intense color, high gloss, and exceptional transparency for glazing and layered applications.

Hansa Yellow

Colour Index: Pigment Yellow 3 (PY3)

Description: Hansa yellow is a synthetic organic pigment often milled to extra-fine particle sizes, providing strong tinting power, high transparency, and vibrant color intensity.


Ultra-Fine Pigments (<5 µm)

Dioxazine Purple

Colour Index: Pigment Violet 23 (PV23)

Description: Dioxazine purple is commonly milled to ultra-fine particle sizes, resulting in maximum tinting strength, high transparency, and deep, saturated hues suitable for photorealistic art and digital printing.

Arylide Yellow

Colour Index: Pigment Yellow 74 (PY74)

Description: Arylide yellow, a synthetic organic pigment, is often found in ultra-fine form, providing exceptional gloss, vibrant color, and smooth application in thin films.

Napthol Red

Colour Index: Pigment Red 170 (PR170)

Description: Napthol red, a synthetic red pigment, is commonly milled to ultra-fine sizes, offering strong tinting strength, brilliant color, and high gloss in thin films and glazes.

Carbon Black

Colour Index: Pigment Black 7 (PBk7)

Description: Carbon black, commonly used in inks and coatings, is often produced in ultra-fine form, providing strong tinting strength, high opacity, and uniform dispersion in both transparent and opaque films.


Implications for Artists and Conservators

The above classifications provide artists, conservators, and manufacturers with a detailed understanding of pigment particle sizes in relation to both historical and contemporary usage. Coarser pigments, often associated with early painting practices, are ideal for those seeking to replicate historical textures or explore expressive brushwork. Medium and fine pigments, which offer a balance between texture and smoothness, are appropriate for a wide range of applications from classical to modern techniques. Very fine and ultra-fine pigments, on the other hand, offer unique opportunities for achieving smooth, even layers with enhanced color saturation and minimal texture, making them indispensable in contemporary fine art and industrial applications.

This classification system also highlights the importance of particle size in determining the aesthetic and functional properties of pigments. Larger particles, for instance, provide increased texture, which can affect the refractive qualities of the surface and give the paint a distinct tactile quality. In contrast, smaller particles allow for more even distribution of color, smoother surfaces, and greater transparency, which are critical in fine detailing, glazing techniques, and high-performance coatings.

We have included descriptions similar to those found in the Wentworth scale, which help artists visualize and better understand the relationship between particle size and its impact on the physical properties of pigments. This detailed classification system not only enhances artistic practice but also provides valuable insights for conservators tasked with preserving historical works created with pigments across these various size ranges.

Important Notice

While the classifications presented on this website reflect commonly accepted particle size ranges for pigments, it is essential to recognize that not all pigments are produced with such tightly controlled particle size distributions. Manufacturing processes, such as milling methods, raw material properties, and production techniques, may result in broader particle size distributions than those specified here. Therefore, the classifications provided here should be regarded as a guide intended for informational purposes only and may not accurately represent the characteristics of our pigments. Users are encouraged to consult specific product data on our product detail pages and conduct appropriate testing to ensure suitability for their intended applications.

Glossary of Terms

Binder

The liquid component in paint binds pigment particles together and helps them adhere to a surface once the paint dries. Binders contribute to the film formation, gloss, and overall durability of the paint. Common binders in artists' paints include oil, oil-alkyd, acrylic polymer, gum arabic, and egg yolk.

Coverage

The ability of a paint to coat a surface effectively. High coverage indicates that the paint can hide the surface beneath it, often requiring fewer coats to achieve an even and opaque finish.

Dispersion

The process by which pigment particles are evenly distributed within the binder or medium. Good dispersion is critical for achieving uniform color, gloss, and durability in the paint film.

Film Appearance

The visual characteristics of a dried paint layer include gloss, texture, and evenness. Film appearance is influenced by pigment particle size, binder type, and application technique.

Glazing

A painting technique that involves applying thin, transparent layers of color over a dried layer of paint. Glazing creates depth and luminosity in the paint film and is commonly used to enhance color vibrancy and achieve realistic effects.

Gloss

The degree of shininess or reflectivity of the paint film's surface. Gloss is typically measured on a scale from matte (low gloss) to high gloss, with particle size, binder composition, and surface texture influencing the gloss level.

Hiding Power

Also referred to as opacity, hiding power is the ability of a pigment to obscure the surface underneath it. High hiding power means that the paint effectively blocks light from passing through, resulting in a more opaque finish.

Lightfastness

The resistance of a pigment to fading or color change when exposed to light, particularly sunlight. Pigments with high lightfastness retain their original color and brightness over time, making them ideal for both interior and exterior applications.

Masstone

The appearance of a paint color when applied in its pure, undiluted form. Masstone is the color of the paint as seen in a thick, opaque layer and is distinct from the color’s appearance in a thin glaze or tint.

Matte

A finish characterized by a lack of shine or gloss. Matte paints have a rougher surface that scatters light, resulting in a more diffuse reflection. They are commonly used to reduce glare and create softer visual effects.

Opacity

The degree to which a paint film can block the underlying surface from view. Opacity is influenced by the particle size, refractive index, and dispersion of the pigment within the paint. High-opacity paints provide complete coverage, while low-opacity paints allow some visibility of the substrate or previous layers.

Packing Density

The extent to which pigment particles are closely packed within the paint film. Higher packing density reduces gaps between particles, leading to a smoother surface, improved gloss, and better overall film integrity.

Particle Size

The size of individual pigment particles, usually measured in micrometers (µm). Particle size influences a wide range of paint properties, including gloss, opacity, tinting strength, and texture. It is a fundamental factor in the classification of pigments, ranging from very coarse to ultra-fine.

Primer

A preparatory coat of paint applied to a surface before the final paint layers. Primers often contain larger, more opaque pigments to enhance adhesion, increase opacity, and provide a suitable base for subsequent layers.

Refractive Index

A measure of how much light is bent or refracted when passing through a material. The refractive index of a pigment influences its opacity and color intensity, affecting the overall appearance of the paint film.

Saturation

The intensity or purity of a color. Highly saturated colors appear vivid and intense, while less saturated colors can look more muted or pastel. Pigment dispersion and tinting strength directly impact color saturation.

Semi-Gloss

A paint finish that falls between matte and high gloss. Semi-gloss finishes have moderate reflectivity and are often used for surfaces that require both durability and a degree of sheen, such as trim, cabinets, and furniture.

Sheen

A qualitative term that refers to the level of luster or shininess in a paint film. Sheen is closely related to gloss but can encompass a wider range of visual characteristics, including the soft glow of eggshell or the subtle shine of satin finishes.

Tinting Strength

The ability of a pigment to influence or modify the color of another pigment when mixed together. High tinting strength indicates that a small amount of pigment can produce a strong color change in the mixture, while low tinting strength requires a larger quantity to achieve the same effect.

Transparency

The opposite of opacity, transparency refers to the ability of a paint film to allow light to pass through. Transparent paints are commonly used for glazing, layering, and creating luminous effects. The level of transparency is influenced by the particle size, shape, and refractive index of the pigments.

UV Stability

The resistance of a paint film to degradation caused by ultraviolet (UV) radiation. UV stability is critical for exterior applications, where prolonged exposure to sunlight can lead to fading, chalking, or breakdown of the paint film.

For more information about sieve sizes, please visit GIlson Company.


Glossary of Terms

Binder

The liquid component in paint binds pigment particles together and helps them adhere to a surface once the paint dries. Binders contribute to the film formation, gloss, and overall durability of the paint. Common binders in artists' paints include oil, oil-alkyd, acrylic polymer, gum arabic, and egg yolk.

Coverage

The ability of a paint to coat a surface effectively. High coverage indicates that the paint can hide the surface beneath it, often requiring fewer coats to achieve an even and opaque finish.

Dispersion

The process by which pigment particles are evenly distributed within the binder or medium. Good dispersion is critical for achieving uniform color, gloss, and durability in the paint film.

Film Appearance

The visual characteristics of a dried paint layer include gloss, texture, and evenness. Film appearance is influenced by pigment particle size, binder type, and application technique.

Glazing

A painting technique that involves applying thin, transparent layers of color over a dried layer of paint. Glazing creates depth and luminosity in the paint film and is commonly used to enhance color vibrancy and achieve realistic effects.

Gloss

The degree of shininess or reflectivity of the paint film's surface. Gloss is typically measured on a scale from matte (low gloss) to high gloss, with particle size, binder composition, and surface texture influencing the gloss level.

Hiding Power

Also referred to as opacity, hiding power is the ability of a pigment to obscure the surface underneath it. High hiding power means that the paint effectively blocks light from passing through, resulting in a more opaque finish.

Lightfastness

The resistance of a pigment to fading or color change when exposed to light, particularly sunlight. Pigments with high lightfastness retain their original color and brightness over time, making them ideal for both interior and exterior applications.

Masstone

The appearance of a paint color when applied in its pure, undiluted form. Masstone is the color of the paint as seen in a thick, opaque layer and is distinct from the color’s appearance in a thin glaze or tint.

Matte

A finish characterized by a lack of shine or gloss. Matte paints have a rougher surface that scatters light, resulting in a more diffuse reflection. They are commonly used to reduce glare and create softer visual effects.

Opacity

The degree to which a paint film can block the underlying surface from view. Opacity is influenced by the particle size, refractive index, and dispersion of the pigment within the paint. High-opacity paints provide complete coverage, while low-opacity paints allow some visibility of the substrate or previous layers.

Packing Density

The extent to which pigment particles are closely packed within the paint film. Higher packing density reduces gaps between particles, leading to a smoother surface, improved gloss, and better overall film integrity.

Particle Size

The size of individual pigment particles, usually measured in micrometers (µm). Particle size influences a wide range of paint properties, including gloss, opacity, tinting strength, and texture. It is a fundamental factor in the classification of pigments, ranging from very coarse to ultra-fine.

Primer

A preparatory coat of paint applied to a surface before the final paint layers. Primers often contain larger, more opaque pigments to enhance adhesion, increase opacity, and provide a suitable base for subsequent layers.

Refractive Index

A measure of how much light is bent or refracted when passing through a material. The refractive index of a pigment influences its opacity and color intensity, affecting the overall appearance of the paint film.

Saturation

The intensity or purity of a color. Highly saturated colors appear vivid and intense, while less saturated colors can look more muted or pastel. Pigment dispersion and tinting strength directly impact color saturation.

Semi-Gloss

A paint finish that falls between matte and high gloss. Semi-gloss finishes have moderate reflectivity and are often used for surfaces that require both durability and a degree of sheen, such as trim, cabinets, and furniture.

Sheen

A qualitative term that refers to the level of luster or shininess in a paint film. Sheen is closely related to gloss but can encompass a wider range of visual characteristics, including the soft glow of eggshell or the subtle shine of satin finishes.

Tinting Strength

The ability of a pigment to influence or modify the color of another pigment when mixed together. High tinting strength indicates that a small amount of pigment can produce a strong color change in the mixture, while low tinting strength requires a larger quantity to achieve the same effect.

Transparency

The opposite of opacity, transparency refers to the ability of a paint film to allow light to pass through. Transparent paints are commonly used for glazing, layering, and creating luminous effects. The level of transparency is influenced by the particle size, shape, and refractive index of the pigments.

UV Stability

The resistance of a paint film to degradation caused by ultraviolet (UV) radiation. UV stability is critical for exterior applications, where prolonged exposure to sunlight can lead to fading, chalking, or breakdown of the paint film.

For more information about sieve sizes, please visit GIlson Company.


Frequently Asked Questions

What is the material that holds pigment particles together?

The material that holds pigment particles together is called the binder. The binder is essential in forming a cohesive film when the paint dries, ensuring the pigment adheres to the surface and stays in place. Common binders for artists' paints include oil, acrylic, and egg yolk, each offering different properties such as flexibility, durability, and drying time.

What is the shape of a pigment particle?

The shape of pigment particles can vary significantly depending on the type of pigment. They can be spherical, flake-like, or even irregularly shaped. The shape of the particles affects how they scatter light, which in turn influences properties such as gloss and opacity in the final paint application.

What is pigment composed of?

Pigments are typically composed of finely ground minerals, synthetic chemicals, or organic compounds. Each type of pigment has specific properties, such as lightfastness, opacity, and tinting strength, which are essential for various artistic and industrial applications.

What is the raw material for pigment?

The raw materials for pigments vary, but they are often derived from natural minerals, such as iron oxides for red and yellow pigments, or from synthetic chemicals like titanium dioxide, which is commonly used for white pigments. Organic sources, such as plants and insects, were also used for certain pigments, but today, organic pigments are usually derived from petroleum compounds.